Repertori Musical
A continuació es mostra la selecció de l'arxiu del QMAV que ha sigut interpretat alguna vegada. L'arxiu complet consta d'unes 500 obres.
Polzant sobre cadascuna de les columnes pots ordenar el llistat
| Títol | Autor | Arreglista | Tocada | ||
|---|---|---|---|---|---|
| 1 | PICTURES AT AN EXHIBITION (Completa)
|
M. Musorgsky | 1 | ||
| 2 | TEXAS
|
Eddie Lewis | 1 | ||
| 3 | JERUSALEM
|
Parry | 3 | ||
| 4 | TEMA AMB VARIACIONS
|
William Schmidt | 1 | ||
| 5 | SONATINE
|
Eugène Bozza | 3 | ||
| 6 | Amanida pegolina
|
Ferran Ferrando | 3 | ||
| 7 | IN THE MOOD
|
Joe Garland | 19 | ||
| 8 | Club Ambra
|
Ferran Ferrando | 1 | ||
| 9 | SAN FERNANDO
|
Víctor Vallés | 1 | ||
| 10 | BELISANA
|
Andrés Valero Castells | 4 | ||
| 11 | GUERRE (LA)
|
Clémend Janequin | 8 | ||
| 12 | Ali-Sclat
|
Pasqual Salort | 2 | ||
| 13 | QUINTET Nº 1
|
Víctor Vallés | 6 | ||
| 14 | BRISAS DE LA GIRALDA
|
José Albero | 1 | ||
| 15 | SUITE AMERICANA
|
Enrique Crespo | 10 | ||
| 16 | 10 anys de Tocant i Rodant
|
Ferran Ferrando | 2 | ||
| 17 | I JUST CAN'T STOP LOVING YOU
|
M. Jackson | 10 | ||
| 18 | Fanfare and Flourishes
|
James Curnow | 3 | ||
| 19 | CANADIAN BRAS RAG (The)
|
Elton Rathburn | 1 | ||
| 20 | MOONLIGTH SERENADE
|
Glenn Miller | 18 | ||
| 21 | FOUR PIECES FOR BRASS QUINTET
|
Paquito D'Rivera | 3 | ||
| 22 | Chamber concerto
|
William Schmidt | 1 | ||
| 23 | Suite for brass quintet
|
Jukka Linkola | 3 | ||
| 24 | Aurora Fanfare (orgue)
|
Frederick Schipzky | 2 | ||
| 25 | WE HASTEN WITH EAGER FOOTSTEPS
|
J. S. Bach | 1 | ||
| 26 | ANTIPHONAL
|
Sweelinck | 1 | ||
| 27 | MÚSICA AQUÀTICA
|
G. Haendel | (Barrachina?) | 1 | |
| 28 | THREE LATIN AMERICAN DANCES
|
Bruce Fraser | - | 15 | |
| 29 | SEA SKETCHES
|
Ian Macdonald | - | 4 | |
| 30 | LITTLE BROWN JUG
|
Joseph Eastburn Winner | - | 11 | |
| 31 | COUP THE BRASS
|
Fisher Tull | - | 6 | |
| 32 | A LITTLE LIGHT MUSIC
|
Gordon Lawson | - | 3 | |
| 33 | FANFARE FOR BIMA
|
Leonard Bernstein | - | 1 | |
| 34 | FANFARE FOR THE COMMON MAN
|
Aaron Copland | - | 2 | |
| 35 | OLD MAN BLUES
|
P. Raph | - | 4 | |
| 36 | HIPLIPS II
|
Leslie Pearson | - | 8 | |
| 37 | RAGS
|
Geoffrey Coleby | - | 8 | |
| 38 | QUINTET Nº 3
|
Víctor Ewald | - | 8 | |
| 39 | SUITE PARA QUINTETO
|
George Barcos | - | 1 | |
| 40 | JAZZ PRELUDES
|
Michael Short | - | 1 | |
| 41 | QUINTET nº 1
|
Víctor Ewald | - | 2 | |
| 42 | MERRY-GO-ROUND
|
Ferran Ferrando | - | 1 | |
| 43 | SAINT ANTHONY'S BLUES
|
Ferran Ferrando | - | 1 | |
| 44 | POP SUITE
|
Arthur Frackenpohl | - | 14 | |
| 45 | INTRODUCCIÓ PER AL CONCERT
|
Ferran Ferrando | - | 4 | |
| 46 | CHARLESTON TIME
|
Jean-François Michel | - | 7 | |
| 47 | TINET I ELS QUATRE LLADRES
|
Ferran Ferrando | - | 8 | |
| 48 | TOCCATA, CHORALE E ADBEC
|
Javier Santacreu | - | 8 | |
| 49 | SIMFONIETA QMAV
|
Ximo Cano | - | 5 | |
| 50 | MUSIC FOR BRASS & TIMPANI
|
James Marks | - | 2 | |
| 51 | ARMENIAN SCENES
|
Alexander Arutiunian | - | 2 | |
| 52 | UNA DE AVENTURAS (Versió 1995)
|
Luis Serrano Alarcón | - | 9 | |
| 53 | TUBÒFIL
|
Ferran Ferrando | - | 12 | |
| 54 | CANTUS IV
|
Egil Hovland | - | 1 | |
| 55 | AMERICANA
|
Harold East | - | 3 | |
| 56 | CINCO MOSQUETEROS (Los)
|
Juan J. Colomer | - | 1 | |
| 57 | COLOUR JAZZ
|
P. Raph | - | 6 | |
| 58 | METALUDIOS
|
Miguel Angel Ibiza Zaragozá | - | 1 | |
| 59 | Fanfare and Hallelujah
|
Gordon Lawson | - | 1 | |
| 60 | TUBFEEL
|
Ferran Ferrando | - | 3 | |
| 61 | BLUE BOSSA
|
-NO ARRANJAT- | 1 | ||
| 62 | TRISTCH-TRATSCH POLKA
|
J. Strauss | A. Ligetti | 20 | |
| 63 | SOURWOOD MOUNTAIN (II)
|
A. Oslang | Acton Ostting | 1 | |
| 64 | TARANTELLA
|
Félix Mendelsohn | Alan Civil | 2 | |
| 65 | CLEOPHA
|
Scott Joplin | Alan Gout | 1 | |
| 66 | CONCERTO Nº 4 en FA m "L'HIVERN"
|
Antonio Vivaldi | Arthur Frackenpohl | 2 | |
| 67 | PINK PANTHER (THE)
|
H. Mancini | Arthur Frackenpohl | 6 | |
| 68 | VARIACIONS GOLDBERG
|
J. S. Bach | Arthur Frackenpohl | 1 | |
| 69 | RONDÓ ALLA TURKA
|
W.A. Mozart | Arthur Frackenpohl | 11 | |
| 70 | TURKISH MARCH
|
Beethoven | Arthur Frackenpohl | 7 | |
| 71 | WILLIAM TELL OVERTURE
|
G. Rossini | Arthur Frackenpohl | 6 | |
| 72 | MAPLE LEAF JAZZ
|
Scott Joplin | Arthur Frackenpohl | 7 | |
| 73 | AMERICAN PATROL
|
F.W. Meacham | Arthur Frackenpohl | 3 | |
| 74 | ESPAÑA
|
E. Chabrier | Arthur Frackenpohl | 14 | |
| 75 | CONCERTO Nº 2 en SOL m "L'Estiu"
|
Antonio Vivaldi | Arthur Frackenpohl | 2 | |
| 76 | TOREADOR SONG
|
Geroges Bizet | Arthur Frackenpohl | 7 | |
| 77 | FOUR SEASONS (Versió íntegra)
|
Antonio Vivaldi | Arthur Frackenpohl | 2 | |
| 78 | CONCERTO Nº 1 en MI M "LA PRIMAVERA"
|
Antonio Vivaldi | Arthur Frackenpohl | 1 | |
| 79 | GOLLIWOGG'S CAKE-WALK
|
Claude Debussy | Barrie Webb | 4 | |
| 80 | CARMEN FANTASIA
|
George Bizet | Bill Holcombe | 7 | |
| 81 | HUMORESQUE
|
A. Dvorak | Chris Hazell | 12 | |
| 82 | FUGUE IN G-MINOR
|
J.S. Bach | Corwin H. Taylor | 1 | |
| 83 | ITALIENISCHES MADRIGAL N. 3
|
Schütz | D. Nikkel | 1 | |
| 84 | SECOND SUITE in F
|
Gustav Holst | David Sabourin | 5 | |
| 85 | GIRL WITH THE FLAXEN HAIR
|
Claude Debussy | David Sabourin | 1 | |
| 86 | MARCH OF THE PRIEST
|
W.A. Mozart | David Wheleer | 1 | |
| 87 | NESSUM DORMA
|
Giaccomo Puccini | David Wheleer | 16 | |
| 88 | JUST A CLOSER WALK
|
David Mosen | Don Gillis | 25 | |
| 89 | AGÜERO
|
José Franco | E.Barrachina | 19 | |
| 90 | OVERTURE TO BERENICE
|
G. Haendel | Edwin Glick | 8 | |
| 91 | FOUR SWISS TUNES
|
Popular | Elgar Howarth | 10 | |
| 92 | WASHINGTON POST MARCH
|
J.P. Sousa | Empire Brass Quintet | 7 | |
| 93 | WATER MUSIC
|
G. F. Händel | F. Mills | 11 | |
| 94 | KANON
|
Johann Pachelbel | F. Mills | 3 | |
| 95 | AIR
|
J. S. Bach | Farkas Antal | 1 | |
| 96 | ELJEN A MAGYAR!
|
J. Strauss | Farkas Antal | 6 | |
| 97 | POTPURRÍ VALENCIÀ
|
Tradicional | Ferran Ferrando | 17 | |
| 98 | PROMENADE
|
Modest Mussorgsky | Ferran Ferrando | 1 | |
| 99 | PRELUDE (nº 22, sol m)
|
F. Chopin | Ferran Ferrando | 2 | |
| 100 | Casual
|
Pep Antón | Ferran Ferrando | 2 | |
| 101 | Cuando no estás
|
Kiko Berenguer | Ferran Ferrando | 2 | |
| 102 | THOUG AMARYLLIS DANCE
|
William Byrd | Ferran Ferrando | 3 | |
| 103 | WELCOME TO CABARET (Willkommen)
|
John Kander | Ferran Ferrando | 3 | |
| 104 | TI KANIS
|
Joan Vicens | Ferran Ferrando | 2 | |
| 105 | QUE BONITA ES BARCELONA
|
M. Moreno | Ferran Ferrando | 4 | |
| 106 | SUGERENCIAS
|
Dani Picazo | Ferran Ferrando | 2 | |
| 107 | Al Vent
|
Raimon | Ferran Ferrando | 8 | |
| 108 | Xàbia
|
Salvador Salvà | Ferran Ferrando | 4 | |
| 109 | Carros de foc
|
Vangelis | Ferran Ferrando | 1 | |
| 110 | Te Deum
|
M. A. Charpentier | Ferran Ferrando | 1 | |
| 111 | Walkin'
|
Richard Carpenter | Ferran Ferrando | 2 | |
| 112 | VALS DELS CIRIS (EL)
|
Popular | Ferran Ferrando | 6 | |
| 113 | SUMMER NIGHT
|
Jim Jacobs & Warner Casey | Ferran Ferrando | 3 | |
| 114 | I'VE GOT UNDER MY SKIN
|
Cole Porter | Ferran Ferrando | 4 | |
| 115 | ROCKY (Gonna fly me now)
|
B. Conti | Ferran Ferrando | 3 | |
| 116 | WATERMARK
|
Enya | Ferran Ferrando | 4 | |
| 117 | TICO-TICO (la m)
|
Abreu Zequinha | Ferran Ferrando | 5 | |
| 118 | STAY ALIVE
|
Bee Gees | Ferran Ferrando | 3 | |
| 119 | PANTERA ROSA (LA)
|
H. Mancini | Ferran Ferrando | 5 | |
| 120 | 3 MOTS
|
Osvaldo Farrés | Ferran Ferrando | 19 | |
| 121 | TOTÓ E ALFREDO
|
Enio Morricone | Ferran Ferrando | 7 | |
| 122 | ARIA de la suite en re
|
J. S. Bach | Ferran Ferrando | 5 | |
| 123 | CHOCLO (El)
|
A. G. Villoldo | Ferran Ferrando | 2 | |
| 124 | Set Fonts
|
Ferran Ferrando | Ferran Ferrando | 2 | |
| 125 | Pirates del Carib
|
Klaus Badelt | Ferran Ferrando | 2 | |
| 126 | CLAR DE LLUNA
|
Claude Debussy | Ferran Ferrando | 3 | |
| 127 | COME SCOGLIO
|
W.A. Mozart | Ferran Ferrando | 2 | |
| 128 | CUMPARSITA (LA)
|
G. H. Matos Rodríguez | Ferran Ferrando | 43 | |
| 129 | El senyor dels anells
|
Howard Shore | Ferran Ferrando | 2 | |
| 130 | ERBARME DICH
|
J.S. Bach | Ferran Ferrando | 2 | |
| 131 | Vita è bella (La)
|
Nicola Piovani | Ferran Ferrando | 7 | |
| 132 | FEELINGS
|
Ferran Ferrando | 18 | ||
| 133 | FESTIVAL MARÍA GREVER
|
María Grever | Ferran Ferrando | 24 | |
| 134 | CINC MINUTS AMB CARMELO LARREA
|
Carmelo Larrea | Ferran Ferrando | 29 | |
| 135 | BADINERIE per flauta
|
J. S. Bach | Ferran Ferrando | 1 | |
| 136 | BESO (EL)
|
F. Moraleda | Ferran Ferrando | 9 | |
| 137 | Marxa 1812
|
Txaikovsky | Ferran Ferrando | 1 | |
| 138 | KEATING'S TRIUMPH
|
M. Jarré | Ferran Ferrando | 2 | |
| 139 | ALL YOU NEED IS LOVE
|
Lennon & McCartney | Ferran Ferrando | 8 | |
| 140 | ALS BEREBERS
|
J. Pérez | Ferran Ferrando | 9 | |
| 141 | ANGELITOS NEGROS
|
M. Álvarez Maciste | Ferran Ferrando | 8 | |
| 142 | APPLE RAG
|
J. Ferchit & Ch. Remy | Ferran Ferrando | 13 | |
| 143 | BOIG PER TU
|
Sau | Ferran Ferrando | 2 | |
| 144 | VIVA LA VIDA
|
Cold Play | Ferran Ferrando | 3 | |
| 145 | Duo per flauta
|
Aaron Copland | Ferran Ferrando | 1 | |
| 146 | Airs Valaques Op. 10 per flauta
|
F. Doppler | Ferran Ferrando | 1 | |
| 147 | BAND-BAND
|
Ferran Ferrando | Ferran Ferrando | 3 | |
| 148 | VALS per a flauta
|
Benjamin Godard | Ferran Ferrando | 1 | |
| 149 | Carmina Burana
|
Carl Orff | Ferran Ferrando | 2 | |
| 150 | ENTR'ACTE per flauta
|
Georges Bizet | Ferran Ferrando | 1 | |
| 151 | GLÒRIA (Ària del)
|
A. Vivaldi | Ferran Ferrando | 15 | |
| 152 | GRANADA
|
A. Lara | Ferran Ferrando | 20 | |
| 153 | MACK THE KNIFE
|
Kurt Weill | Ferran Ferrando | 2 | |
| 154 | NINA SWING
|
J. Ferchit & Ch. Remy | Ferran Ferrando | 4 | |
| 155 | NEW YORK NEW YORK
|
Ray Conniff | Ferran Ferrando | 6 | |
| 156 | LLIBRE DE LA SELVA (EL)
|
Sherman/Gilkyson | Ferran Ferrando | 7 | |
| 157 | NADALS BLANCS
|
Irving Berlin | Ferran Ferrando | 1 | |
| 158 | MICHELLE
|
Lennon & McCartney | Ferran Ferrando | 3 | |
| 159 | APPLE RAG BIG
|
J Ferchit & Ch. Remy | Ferran Ferrando | 4 | |
| 160 | MARXA NUPCIAL
|
F. B. Mendelssohn | Ferran Ferrando | 10 | |
| 161 | MUIXARANGA (LA)
|
Popular valenciana | Ferran Ferrando | 3 | |
| 162 | RULE BRITANNIA
|
T. Arne | Ferran Ferrando | 1 | |
| 163 | MARXA RADETZKY
|
Strauss | Ferran Ferrando | 2 | |
| 164 | MEMORY
|
Andrew Lloyd Webber | Ferran Ferrando | 10 | |
| 165 | NON M'È GRAVE
|
Benedetto Marcello | Ferran Ferrando | 2 | |
| 166 | FALLERO (El)
|
J.S. Bach // J. Serrano | Ferran Ferrando | 1 | |
| 167 | I LOVE PARIS
|
Cole Porter | Ferran Ferrando | 2 | |
| 168 | MÚSICA TELEVISIVA
|
Varis | Ferran Ferrando | 2 | |
| 169 | HISTÒRIA D'AMOR
|
Carlos Eleta Almar | Ferran Ferrando | 6 | |
| 170 | NOELIA
|
Augusto Algueró | Ferran Ferrando | 2 | |
| 171 | O MIO BABBINO CARO
|
Giacomo Puccini | Ferran Ferrando | 3 | |
| 172 | JESU, BELIBET MEINE FREUDE
|
J. S. Bach | Ferran Ferrando | 3 | |
| 173 | Album d'Anna Magdalena Bach
|
J. S. Bach | Ferran Ferrando | 1 | |
| 174 | JURASSIC PARK
|
John Williams | Ferran Ferrando | 3 | |
| 175 | ORFEU ALS INFERNS
|
J. Offenbach | Ferran Ferrando | 3 | |
| 176 | STARS & STRIPES FOREVER (THE)
|
J.P. Sousa | Frazier/CCB | 4 | |
| 177 | TOCCATA and FUGUE in D minor
|
J. S. Bach | Fred Mills | 4 | |
| 178 | GIRL WITH THE FLAXEN HAIR (The)
|
Claude Debussy | Gary Kulesha | 1 | |
| 179 | LARGO AL FACTOTUM
|
G. Rossini | Gary Kulesha | 8 | |
| 180 | LORD GOD REIGNETH (The)
|
Johann Pachelbel | Gary Olson // Ferran Ferrando | 1 | |
| 181 | VIRGEN DE LA MACARENA (LA)
|
B. Bautista Monteverde | Geoffrey Bergley | 13 | |
| 182 | PETIT NEGRE (LE)
|
Claude Debussy | Geoffrey Emerson | 3 | |
| 183 | SÄBELTANZ
|
Aram Chatschaturjan | Hans Ahrens | 4 | |
| 184 | RONDÓ
|
L. Beethoven | Hans Dörner | 2 | |
| 185 | SUMMERTIME
|
G. Gershwin | Hans Dörner | 14 | |
| 186 | Pomp & Circumstance
|
Edward Elgar | Hans Zellner | 3 | |
| 187 | Grand Choeur Dialogué
|
Eugène Gigout | Hans Zellner | 1 | |
| 188 | Concerto C-Dur
|
J. S. Bach | Hans Zellner | 1 | |
| 189 | BEATLES SELECTION
|
Lennon/McCartney | Hans-André Stamm | 33 | |
| 190 | AMAZING GRACE
|
Tradicional | Henderson/Barnes | 24 | |
| 191 | FIRST ELIZABETHAN SUITE
|
Anònim | Ifor James | 2 | |
| 192 | SOURWOOD MOUNTAIN (I)
|
A. Oslang | J. Salomón | 2 | |
| 193 | SELECTIONS FROM PORGY & BESS
|
G. Gershwin | Jack Gale | 5 | |
| 194 | WEST SIDE STORY
|
Leonard Berstein | Jack Gole | 19 | |
| 195 | SUITE ITALIANA
|
Giovanni Giacomo Gastoldi | Jan de Haan | 1 | |
| 196 | AMPARITO ROCA
|
Jaime Teixidor Dalmau | Jay Lichtmann | 12 | |
| 197 | GATO MONTÉS (El)
|
Manuel Penella | Jay Lichtmann | 15 | |
| 198 | Gallito
|
Santiago Lope | Jay Lichtmann | 4 | |
| 199 | HUIT ET DEMI
|
Nino Rota | Jean Brouquières | 13 | |
| 200 | 3 CHORALS
|
J. S. Bach | Jean-Louis Petit | 1 | |
| 201 | DEAD MAN BLUES
|
J.R. Morton | Jeffrey Piper | 34 | |
| 202 | BAMBA (LA)
|
JLF | 1 | ||
| 203 | USTED
|
José A. Zorrilla | Joan Lluís Alemany | 13 | |
| 204 | IL EST BEL ET BON
|
Pierre Passereau | Joan Lluís Alemany | 2 | |
| 205 | AVE MARIA
|
F. Schubert | Joan Lluís Alemany | 11 | |
| 206 | ADIEU SWEET AMARYLLIS
|
John Wilbye | Joan Lluís Alemany | 2 | |
| 207 | TRUMPET VOLUNTARY
|
Henry Purcell | John Corley | 9 | |
| 208 | TWO TRUMPET TUNES & AYRE
|
Henry Purcell | John Corley | 3 | |
| 209 | RENAISSANCE DANCES
|
Tylman Susato | John Ivenson | 9 | |
| 210 | THREE RAGS FOR FIVE
|
Scott Joplin | John Ivenson | 17 | |
| 211 | FRÈRE JACQUES
|
Popular | John Iveson | 3 | |
| 212 | 5 EARLY SPANISH PIECES
|
Ponce-Enriquez-Milán-An. | John Miller | 1 | |
| 213 | TAKE FIVE
|
Paul Desmond | Juan Roig | 1 | |
| 214 | LA VIE EN ROSE
|
Louiguy i Marguerite Monnot | Juanjo Martín | 1 | |
| 215 | CHORUS FROM CANTATA Nº 207
|
J.S. Bach | K. Snell | 13 | |
| 216 | FANTASIE UND VARIATIONEN
|
Arban/Bellini | Karl Hinterbichler | 4 | |
| 217 | TWO SONATES
|
Daniel Speer | Keith Brown | 11 | |
| 218 | SOLACE
|
Scott Joplin | Keith Mehlan | 1 | |
| 219 | TRUMPET TUNE
|
John Stanley | Keith Snell | 4 | |
| 220 | PALM LEAF RAG
|
Scott Joplin | Klans Winkler | 9 | |
| 221 | BILL BAILEY
|
Hughie Cannon | L. Henderson | 9 | |
| 222 | AIN'T MIS BE HAVIN
|
Fats Waller | Lee Norris | 15 | |
| 223 | SAINT LOUIS BLUES
|
W.C. Handy | Luther Henderson | 13 | |
| 224 | SAINT'S HALLELUJAH (THE)
|
Tradicional/Haendel | Luther Henderson | 40 | |
| 225 | TUBA TIGER RAG
|
Harry Decosta | Luther Henderson | 25 | |
| 226 | BEALE STREET BLUES
|
W. C. Handy | Luther Henderson | 36 | |
| 227 | TE DEUM
|
M .A. Charpentier | Malcolm Bennet | 3 | |
| 228 | SEVILLA
|
Isaac Albéniz | Maxi Santos | 1 | |
| 229 | RONDEAU from ABDELAZER
|
Henry Purcell | Nicholas Tollervey | 1 | |
| 230 | ATHALIE
|
F. Mendelssohn | Paco Pérez | 4 | |
| 231 | SUITE XI (Sarabanda)
|
G. F.Haendel | Paco Pérez | 1 | |
| 232 | DER HÖLLE RACHE
|
W. A. Mozart | Peter Knudsvig | 6 | |
| 233 | ORFEO, Music from
|
C. Monteverdi | Peter Knudsvig | 10 | |
| 234 | HUNGARIAN SUITE
|
Béla Bartók | Philip Gordon | 2 | |
| 235 | CANZON A 4
|
Giovanni Gabrieli | Philip Jones | 6 | |
| 236 | CHRYSANTHEMUM (THE)
|
Scott Joplin | Philip Stansfeld | 9 | |
| 237 | SUNFLOWER SLOW DRAG
|
J. Hayden | Philip Stansfeld | 4 | |
| 238 | CANZONA PER SONARE Nº 1 La spiritata
|
Giovanni Gabrieli | R. King | 2 | |
| 239 | MUSIC FOR QUEEN MARY II
|
Henry Purcell | R. King | 1 | |
| 240 | THREE PIECES
|
Ludwing Maurer | R. Nagel | 2 | |
| 241 | ARRIVAL OF THE QUEEN OF SHEBA (THE)
|
G. F. Haendel | Ray Woodfield | 9 | |
| 242 | Sonata from die Bänkelsängerlieder
|
Anònim | Robert King | 26 | |
| 243 | PADUANA
|
Benedictus Grep | Robert King | 1 | |
| 244 | SONATA DA CHIESA
|
Arcangelo Corelli | Robert Nagel | 6 | |
| 245 | POMP & CIRCUMSTANCE
|
Edward Elgar | Roger Harvey | 3 | |
| 246 | PRELUDE & FUGUE IN G m
|
J. S. Bach | Rosental | 6 | |
| 247 | ENTRANCE OF THE GLADIATORS
|
Josef Fucik | Stephen Denroche | 6 | |
| 248 | PRELUDE AND FUGUE in Bb Major
|
J.S. Bach | Ted Blumenthal | 1 | |
| 249 | PLEASANT MOMENTS
|
Scott Joplin | Thierry Caens | 10 | |
| 250 | MENUET DU BOEUF
|
J . Haydn | Thierry Caens | 4 | |
| 251 | FUGUE EN FA MINEUR
|
J.S. Bach | Thierry Caens | 7 | |
| 252 | QUIN SIGNIFICAT TÉ LA MÚSICA? (Aud.
|
Varis (L. Berstein) | Varis (F. Ferrando) | 1 | |
| 253 | TOREADOR SONG
|
Georges Bizet | Walter Barnes | 7 | |
| 254 | FANFARE
|
Paul Dukas | Wayne Barrington | 11 | |
| 255 | Tango
|
Isaac Albéniz | Wilfred Roberts | 2 | |
| 256 | MARXA NUPCIAL
|
R. Wagner | Ximo Tur | 6 | |
| 257 | BENY HILL
|
Ximo Tur M. | 3 | ||




