Repertori Musical
A continuació es mostra la selecció de l'arxiu del QMAV que ha sigut interpretat alguna vegada. L'arxiu complet consta de més de 450 obres.
Polzant sobre cadascuna de les columnes pots ordenar el llistat
| Títol | Autor | Arreglista | Tocada | ||
|---|---|---|---|---|---|
| 1 | TEMA AMB VARIACIONS
|
 |
William Schmidt | 1 | |
| 2 | TEXAS
|
|
Eddie Lewis | 1 | |
| 3 | PICTURES AT AN EXHIBITION (Completa)
|
|
M. Musorgsky | 1 | |
| 4 | JERUSALEM
|
|
Parry | 3 | |
| 5 | MOONLIGTH SERENADE
|
|
Glenn Miller | 17 | |
| 6 | SUITE AMERICANA
|
|
Enrique Crespo | 9 | |
| 7 | Fanfare and Flourishes
|
|
James Curnow | 3 | |
| 8 | Aurora Fanfare (orgue)
|
|
Frederick Schipzky | 2 | |
| 9 | FOUR PIECES FOR BRASS QUINTET
|
|
Paquito D'Rivera | 1 | |
| 10 | Chamber concerto
|
|
William Schmidt | 1 | |
| 11 | SONATINE
|
|
Eugène Bozza | 3 | |
| 12 | I JUST CAN'T STOP LOVING YOU
|
|
M. Jackson | 9 | |
| 13 | Club Ambra
|
|
Ferran Ferrando | 1 | |
| 14 | Amanida pegolina
|
|
Ferran Ferrando | 3 | |
| 15 | IN THE MOOD
|
|
Joe Garland | 19 | |
| 16 | BELISANA
|
|
Andrés Valero Castells | 4 | |
| 17 | WE HASTEN WITH EAGER FOOTSTEPS
|
|
J. S. Bach | 1 | |
| 18 | Ali-Sclat
|
|
Pasqual Salort | 2 | |
| 19 | GUERRE (LA)
|
|
Clémend Janequin | 8 | |
| 20 | SAN FERNANDO
|
|
Víctor Vallés | 1 | |
| 21 | Suite for brass quintet
|
|
Jukka Linkola | 3 | |
| 22 | QUINTET Nº 1
|
|
Víctor Vallés | 6 | |
| 23 | 10 anys de Tocant i Rodant
|
|
Ferran Ferrando | 2 | |
| 24 | ANTIPHONAL
|
|
Sweelinck | 1 | |
| 25 | MÚSICA AQUÀTICA
|
|
G. Haendel | (Barrachina?) | 1 |
| 26 | TUBFEEL
|
|
Ferran Ferrando | - | 3 |
| 27 | COUP THE BRASS
|
|
Fisher Tull | - | 5 |
| 28 | TUBÒFIL
|
|
Ferran Ferrando | - | 12 |
| 29 | TOCCATA, CHORALE E ADBEC
|
|
Javier Santacreu | - | 8 |
| 30 | HIPLIPS II
|
|
Leslie Pearson | - | 7 |
| 31 | RAGS
|
|
Geoffrey Coleby | - | 6 |
| 32 | UNA DE AVENTURAS (Versió 1995)
|
|
Luis Serrano Alarcón | - | 9 |
| 33 | JAZZ PRELUDES
|
|
Michael Short | - | 1 |
| 34 | INTRODUCCIÓ PER AL CONCERT
|
|
Ferran Ferrando | - | 4 |
| 35 | QUINTET Nº 3
|
|
Víctor Ewald | - | 8 |
| 36 | FANFARE FOR BIMA
|
|
Leonard Bernstein | - | 1 |
| 37 | POP SUITE
|
|
Arthur Frackenpohl | - | 13 |
| 38 | FANFARE FOR THE COMMON MAN
|
|
Aaron Copland | - | 2 |
| 39 | QUINTET nº 1
|
|
Víctor Ewald | - | 2 |
| 40 | SIMFONIETA QMAV
|
|
Ximo Cano | - | 5 |
| 41 | METALUDIOS
|
|
Miguel Angel Ibiza Zaragozá | - | 1 |
| 42 | LITTLE BROWN JUG
|
|
Joseph Eastburn Winner | - | 10 |
| 43 | CHARLESTON TIME
|
|
Jean-François Michel | - | 7 |
| 44 | MERRY-GO-ROUND
|
|
Ferran Ferrando | - | 1 |
| 45 | AMERICANA
|
|
Harold East | - | 3 |
| 46 | SEA SKETCHES
|
|
Ian Macdonald | - | 3 |
| 47 | CANTUS IV
|
|
Egil Hovland | - | 1 |
| 48 | ARMENIAN SCENES
|
|
Alexander Arutiunian | - | 2 |
| 49 | SUITE PARA QUINTETO
|
|
George Barcos | - | 1 |
| 50 | MUSIC FOR BRASS & TIMPANI
|
|
James Marks | - | 2 |
| 51 | A LITTLE LIGHT MUSIC
|
|
Gordon Lawson | - | 2 |
| 52 | OLD MAN BLUES
|
|
P. Raph | - | 4 |
| 53 | THREE LATIN AMERICAN DANCES
|
|
Bruce Fraser | - | 13 |
| 54 | COLOUR JAZZ
|
|
P. Raph | - | 6 |
| 55 | TINET I ELS QUATRE LLADRES
|
|
Ferran Ferrando | - | 8 |
| 56 | SAINT ANTHONY'S BLUES
|
|
Ferran Ferrando | - | 1 |
| 57 | BLUE BOSSA
|
|
-NO ARRANJAT- | 1 | |
| 58 | TRISTCH-TRATSCH POLKA
|
|
J. Strauss | A. Ligetti | 20 |
| 59 | SOURWOOD MOUNTAIN (II)
|
|
A. Oslang | Acton Ostting | 1 |
| 60 | TARANTELLA
|
|
Félix Mendelsohn | Alan Civil | 2 |
| 61 | CLEOPHA
|
|
Scott Joplin | Alan Gout | 1 |
| 62 | TOREADOR SONG
|
|
Geroges Bizet | Arthur Frackenpohl | 7 |
| 63 | MAPLE LEAF JAZZ
|
|
Scott Joplin | Arthur Frackenpohl | 7 |
| 64 | PINK PANTHER (THE)
|
|
H. Mancini | Arthur Frackenpohl | 6 |
| 65 | RONDÓ ALLA TURKA
|
|
W.A. Mozart | Arthur Frackenpohl | 11 |
| 66 | TURKISH MARCH
|
|
Beethoven | Arthur Frackenpohl | 7 |
| 67 | ESPAÑA
|
|
E. Chabrier | Arthur Frackenpohl | 14 |
| 68 | CONCERTO Nº 2 en SOL m "L'Estiu"
|
|
Antonio Vivaldi | Arthur Frackenpohl | 2 |
| 69 | CONCERTO Nº 4 en FA m "L'HIVERN"
|
|
Antonio Vivaldi | Arthur Frackenpohl | 2 |
| 70 | FOUR SEASONS (Versió íntegra)
|
|
Antonio Vivaldi | Arthur Frackenpohl | 2 |
| 71 | AMERICAN PATROL
|
|
F.W. Meacham | Arthur Frackenpohl | 3 |
| 72 | WILLIAM TELL OVERTURE
|
|
G. Rossini | Arthur Frackenpohl | 6 |
| 73 | CONCERTO Nº 1 en MI M "LA PRIMAVERA"
|
|
Antonio Vivaldi | Arthur Frackenpohl | 1 |
| 74 | GOLLIWOGG'S CAKE-WALK
|
|
Claude Debussy | Barrie Webb | 4 |
| 75 | CARMEN FANTASIA
|
|
George Bizet | Bill Holcombe | 7 |
| 76 | HUMORESQUE
|
|
A. Dvorak | Chris Hazell | 12 |
| 77 | FUGUE IN G-MINOR
|
|
J.S. Bach | Corwin H. Taylor | 1 |
| 78 | ITALIENISCHES MADRIGAL N. 3
|
|
Schütz | D. Nikkel | 1 |
| 79 | SECOND SUITE in F
|
|
Gustav Holst | David Sabourin | 5 |
| 80 | GIRL WITH THE FLAXEN HAIR
|
|
Claude Debussy | David Sabourin | 1 |
| 81 | MARCH OF THE PRIEST
|
|
W.A. Mozart | David Wheleer | 1 |
| 82 | NESSUM DORMA
|
|
Giaccomo Puccini | David Wheleer | 13 |
| 83 | JUST A CLOSER WALK
|
|
David Mosen | Don Gillis | 23 |
| 84 | AGÜERO
|
|
José Franco | E.Barrachina | 19 |
| 85 | OVERTURE TO BERENICE
|
|
G. Haendel | Edwin Glick | 8 |
| 86 | FOUR SWISS TUNES
|
|
Popular | Elgar Howarth | 10 |
| 87 | WASHINGTON POST MARCH
|
|
J.P. Sousa | Empire Brass Quintet | 7 |
| 88 | KANON
|
|
Johann Pachelbel | F. Mills | 3 |
| 89 | WATER MUSIC
|
|
G. F. Händel | F. Mills | 11 |
| 90 | AIR
|
|
J. S. Bach | Farkas Antal | 1 |
| 91 | ELJEN A MAGYAR!
|
|
J. Strauss | Farkas Antal | 6 |
| 92 | SUGERENCIAS
|
|
Dani Picazo | Ferran Ferrando | 2 |
| 93 | MACK THE KNIFE
|
|
Kurt Weill | Ferran Ferrando | 2 |
| 94 | Walkin'
|
|
Richard Carpenter | Ferran Ferrando | 2 |
| 95 | I LOVE PARIS
|
|
Cole Porter | Ferran Ferrando | 2 |
| 96 | Al Vent
|
|
Raimon | Ferran Ferrando | 6 |
| 97 | NOELIA
|
|
Augusto Algueró | Ferran Ferrando | 1 |
| 98 | WELCOME TO CABARET (Willkommen)
|
|
John Kander | Ferran Ferrando | 3 |
| 99 | El senyor dels anells
|
|
Howard Shore | Ferran Ferrando | 2 |
| 100 | ROCKY (Gonna fly me now)
|
|
B. Conti | Ferran Ferrando | 3 |
| 101 | TICO-TICO (la m)
|
|
Abreu Zequinha | Ferran Ferrando | 5 |
| 102 | WATERMARK
|
|
Enya | Ferran Ferrando | 4 |
| 103 | Carmina Burana
|
|
Carl Orff | Ferran Ferrando | 2 |
| 104 | Pirates del Carib
|
|
Klaus Badelt | Ferran Ferrando | 2 |
| 105 | QUE BONITA ES BARCELONA
|
|
M. Moreno | Ferran Ferrando | 3 |
| 106 | PROMENADE
|
|
Modest Mussorgsky | Ferran Ferrando | 1 |
| 107 | Set Fonts
|
|
Ferran Ferrando | Ferran Ferrando | 2 |
| 108 | STAY ALIVE
|
|
Bee Gees | Ferran Ferrando | 3 |
| 109 | VALS DELS CIRIS (EL)
|
|
Popular | Ferran Ferrando | 6 |
| 110 | Cuando no estás
|
|
Kiko Berenguer | Ferran Ferrando | 2 |
| 111 | TI KANIS
|
|
Joan Vicens | Ferran Ferrando | 2 |
| 112 | Casual
|
|
Pep Antón | Ferran Ferrando | 2 |
| 113 | I'VE GOT UNDER MY SKIN
|
|
Cole Porter | Ferran Ferrando | 3 |
| 114 | FESTIVAL MARÍA GREVER
|
|
María Grever | Ferran Ferrando | 21 |
| 115 | THOUG AMARYLLIS DANCE
|
|
William Byrd | Ferran Ferrando | 3 |
| 116 | Carros de foc
|
|
Vangelis | Ferran Ferrando | 1 |
| 117 | Xàbia
|
|
Salvador Salvà | Ferran Ferrando | 4 |
| 118 | Te Deum
|
|
M. A. Charpentier | Ferran Ferrando | 1 |
| 119 | RULE BRITANNIA
|
|
T. Arne | Ferran Ferrando | 1 |
| 120 | ARIA de la suite en re
|
|
J. S. Bach | Ferran Ferrando | 2 |
| 121 | ORFEU ALS INFERNS
|
|
J. Offenbach | Ferran Ferrando | 3 |
| 122 | FALLERO (El)
|
|
J.S. Bach // J. Serrano | Ferran Ferrando | 1 |
| 123 | SUMMER NIGHT
|
|
Jim Jacobs & Warner Casey | Ferran Ferrando | 2 |
| 124 | Album d'Anna Magdalena Bach
|
|
J. S. Bach | Ferran Ferrando | 1 |
| 125 | PRELUDE (nº 22, sol m)
|
|
F. Chopin | Ferran Ferrando | 2 |
| 126 | POTPURRÍ VALENCIÀ
|
|
Tradicional | Ferran Ferrando | 17 |
| 127 | CUMPARSITA (LA)
|
|
G. H. Matos Rodríguez | Ferran Ferrando | 40 |
| 128 | CLAR DE LLUNA
|
|
Claude Debussy | Ferran Ferrando | 2 |
| 129 | MARXA NUPCIAL
|
|
F. B. Mendelssohn | Ferran Ferrando | 8 |
| 130 | NINA SWING
|
|
J. Ferchit & Ch. Remy | Ferran Ferrando | 4 |
| 131 | NEW YORK NEW YORK
|
|
Ray Conniff | Ferran Ferrando | 6 |
| 132 | MARXA RADETZKY
|
|
Strauss | Ferran Ferrando | 2 |
| 133 | NADALS BLANCS
|
|
Irving Berlin | Ferran Ferrando | 1 |
| 134 | FEELINGS
|
|
Ferran Ferrando | 16 | |
| 135 | MÚSICA TELEVISIVA
|
|
Varis | Ferran Ferrando | 2 |
| 136 | ERBARME DICH
|
|
J.S. Bach | Ferran Ferrando | 2 |
| 137 | CHOCLO (El)
|
|
A. G. Villoldo | Ferran Ferrando | 2 |
| 138 | CINC MINUTS AMB CARMELO LARREA
|
|
Carmelo Larrea | Ferran Ferrando | 26 |
| 139 | MEMORY
|
|
Andrew Lloyd Webber | Ferran Ferrando | 10 |
| 140 | COME SCOGLIO
|
|
W.A. Mozart | Ferran Ferrando | 2 |
| 141 | MUIXARANGA (LA)
|
|
Popular valenciana | Ferran Ferrando | 3 |
| 142 | MICHELLE
|
|
Lennon & McCartney | Ferran Ferrando | 1 |
| 143 | NON M'È GRAVE
|
|
Benedetto Marcello | Ferran Ferrando | 2 |
| 144 | O MIO BABBINO CARO
|
|
Giacomo Puccini | Ferran Ferrando | 3 |
| 145 | BESO (EL)
|
|
F. Moraleda | Ferran Ferrando | 9 |
| 146 | 3 MOTS
|
|
Osvaldo Farrés | Ferran Ferrando | 16 |
| 147 | ALL YOU NEED IS LOVE
|
|
Lennon & McCartney | Ferran Ferrando | 3 |
| 148 | ALS BEREBERS
|
|
J. Pérez | Ferran Ferrando | 9 |
| 149 | HISTÒRIA D'AMOR
|
|
Carlos Eleta Almar | Ferran Ferrando | 3 |
| 150 | LLIBRE DE LA SELVA (EL)
|
|
Sherman/Gilkyson | Ferran Ferrando | 7 |
| 151 | JURASSIC PARK
|
|
John Williams | Ferran Ferrando | 3 |
| 152 | PANTERA ROSA (LA)
|
|
H. Mancini | Ferran Ferrando | 5 |
| 153 | ANGELITOS NEGROS
|
|
M. Álvarez Maciste | Ferran Ferrando | 8 |
| 154 | GRANADA
|
|
A. Lara | Ferran Ferrando | 19 |
| 155 | APPLE RAG
|
|
J Ferchit & Ch. Remy | Ferran Ferrando | 4 |
| 156 | GLÒRIA (Ària del)
|
|
A. Vivaldi | Ferran Ferrando | 15 |
| 157 | BAND-BAND
|
|
Ferran Ferrando | Ferran Ferrando | 3 |
| 158 | JESU, BELIBET MEINE FREUDE
|
|
J. S. Bach | Ferran Ferrando | 3 |
| 159 | APPLE RAG
|
|
J. Ferchit & Ch. Remy | Ferran Ferrando | 12 |
| 160 | STARS & STRIPES FOREVER (THE)
|
|
J.P. Sousa | Frazier/CCB | 4 |
| 161 | TOCCATA and FUGUE in D minor
|
|
J. S. Bach | Fred Mills | 4 |
| 162 | LARGO AL FACTOTUM
|
|
G. Rossini | Gary Kulesha | 8 |
| 163 | GIRL WITH THE FLAXEN HAIR (The)
|
|
Claude Debussy | Gary Kulesha | 1 |
| 164 | LORD GOD REIGNETH (The)
|
|
Johann Pachelbel | Gary Olson // Ferran Ferrando | 1 |
| 165 | VIRGEN DE LA MACARENA (LA)
|
|
B. Bautista Monteverde | Geoffrey Bergley | 13 |
| 166 | PETIT NEGRE (LE)
|
|
Claude Debussy | Geoffrey Emerson | 3 |
| 167 | SÄBELTANZ
|
|
Aram Chatschaturjan | Hans Ahrens | 4 |
| 168 | SUMMERTIME
|
|
G. Gershwin | Hans Dörner | 13 |
| 169 | RONDÓ
|
|
L. Beethoven | Hans Dörner | 2 |
| 170 | Pomp & Circumstance
|
|
Edward Elgar | Hans Zellner | 3 |
| 171 | Concerto C-Dur
|
|
J. S. Bach | Hans Zellner | 1 |
| 172 | Grand Choeur Dialogué
|
|
Eugène Gigout | Hans Zellner | 1 |
| 173 | BEATLES SELECTION
|
|
Lennon/McCartney | Hans-André Stamm | 28 |
| 174 | AMAZING GRACE
|
|
Tradicional | Henderson/Barnes | 24 |
| 175 | FIRST ELIZABETHAN SUITE
|
|
Anònim | Ifor James | 2 |
| 176 | SOURWOOD MOUNTAIN (I)
|
|
A. Oslang | J. Salomón | 2 |
| 177 | SELECTIONS FROM PORGY & BESS
|
|
G. Gershwin | Jack Gale | 4 |
| 178 | WEST SIDE STORY
|
|
Leonard Berstein | Jack Gole | 18 |
| 179 | SUITE ITALIANA
|
|
Giovanni Giacomo Gastoldi | Jan de Haan | 1 |
| 180 | GATO MONTÉS (El)
|
|
Manuel Penella | Jay Lichtmann | 14 |
| 181 | Gallito
|
|
Santiago Lope | Jay Lichtmann | 4 |
| 182 | AMPARITO ROCA
|
|
Jaime Teixidor Dalmau | Jay Lichtmann | 12 |
| 183 | HUIT ET DEMI
|
|
Nino Rota | Jean Brouquières | 13 |
| 184 | 3 CHORALS
|
|
J. S. Bach | Jean-Louis Petit | 1 |
| 185 | DEAD MAN BLUES
|
|
J.R. Morton | Jeffrey Piper | 34 |
| 186 | BAMBA (LA)
|
|
JLF | 1 | |
| 187 | USTED
|
|
José A. Zorrilla | Joan Lluís Alemany | 13 |
| 188 | ADIEU SWEET AMARYLLIS
|
|
John Wilbye | Joan Lluís Alemany | 2 |
| 189 | IL EST BEL ET BON
|
|
Pierre Passereau | Joan Lluís Alemany | 2 |
| 190 | AVE MARIA
|
|
F. Schubert | Joan Lluís Alemany | 10 |
| 191 | TWO TRUMPET TUNES & AYRE
|
|
Henry Purcell | John Corley | 3 |
| 192 | TRUMPET VOLUNTARY
|
|
Henry Purcell | John Corley | 9 |
| 193 | RENAISSANCE DANCES
|
|
Tylman Susato | John Ivenson | 8 |
| 194 | THREE RAGS FOR FIVE
|
|
Scott Joplin | John Ivenson | 16 |
| 195 | FRÈRE JACQUES
|
|
Popular | John Iveson | 3 |
| 196 | 5 EARLY SPANISH PIECES
|
|
Ponce-Enriquez-Milán-An. | John Miller | 1 |
| 197 | TAKE FIVE
|
|
Paul Desmond | Juan Roig | 1 |
| 198 | CHORUS FROM CANTATA Nº 207
|
|
J.S. Bach | K. Snell | 13 |
| 199 | FANTASIE UND VARIATIONEN
|
|
Arban/Bellini | Karl Hinterbichler | 4 |
| 200 | TWO SONATES
|
|
Daniel Speer | Keith Brown | 11 |
| 201 | SOLACE
|
|
Scott Joplin | Keith Mehlan | 1 |
| 202 | TRUMPET TUNE
|
|
John Stanley | Keith Snell | 4 |
| 203 | PALM LEAF RAG
|
|
Scott Joplin | Klans Winkler | 9 |
| 204 | BILL BAILEY
|
|
Hughie Cannon | L. Henderson | 9 |
| 205 | AIN'T MIS BE HAVIN
|
|
Fats Waller | Lee Norris | 14 |
| 206 | SAINT'S HALLELUJAH (THE)
|
|
Tradicional/Haendel | Luther Henderson | 37 |
| 207 | BEALE STREET BLUES
|
|
W. C. Handy | Luther Henderson | 32 |
| 208 | TUBA TIGER RAG
|
|
Harry Decosta | Luther Henderson | 24 |
| 209 | SAINT LOUIS BLUES
|
|
W.C. Handy | Luther Henderson | 13 |
| 210 | TE DEUM
|
|
M .A. Charpentier | Malcolm Bennet | 3 |
| 211 | RONDEAU from ABDELAZER
|
|
Henry Purcell | Nicholas Tollervey | 1 |
| 212 | ATHALIE
|
|
F. Mendelssohn | Paco Pérez | 4 |
| 213 | SUITE XI (Sarabanda)
|
|
G. F.Haendel | Paco Pérez | 1 |
| 214 | DER HÖLLE RACHE
|
|
W. A. Mozart | Peter Knudsvig | 5 |
| 215 | ORFEO, Music from
|
|
C. Monteverdi | Peter Knudsvig | 10 |
| 216 | HUNGARIAN SUITE
|
|
Béla Bartók | Philip Gordon | 2 |
| 217 | CANZON A 4
|
|
Giovanni Gabrieli | Philip Jones | 6 |
| 218 | SUNFLOWER SLOW DRAG
|
|
J. Hayden | Philip Stansfeld | 4 |
| 219 | CHRYSANTHEMUM (THE)
|
|
Scott Joplin | Philip Stansfeld | 9 |
| 220 | MUSIC FOR QUEEN MARY II
|
|
Henry Purcell | R. King | 1 |
| 221 | CANZONA PER SONARE Nº 1 La spiritata
|
|
Giovanni Gabrieli | R. King | 2 |
| 222 | THREE PIECES
|
|
Ludwing Maurer | R. Nagel | 2 |
| 223 | ARRIVAL OF THE QUEEN OF SHEBA (THE)
|
|
G. F. Haendel | Ray Woodfield | 9 |
| 224 | Sonata from die Bänkelsängerlieder
|
|
Anònim | Robert King | 26 |
| 225 | PADUANA
|
|
Benedictus Grep | Robert King | 1 |
| 226 | SONATA DA CHIESA
|
|
Arcangelo Corelli | Robert Nagel | 6 |
| 227 | POMP & CIRCUMSTANCE
|
|
Edward Elgar | Roger Harvey | 3 |
| 228 | PRELUDE & FUGUE IN G m
|
|
J. S. Bach | Rosental | 6 |
| 229 | ENTRANCE OF THE GLADIATORS
|
|
Josef Fucik | Stephen Denroche | 5 |
| 230 | PRELUDE AND FUGUE in Bb Major
|
|
J.S. Bach | Ted Blumenthal | 1 |
| 231 | FUGUE EN FA MINEUR
|
|
J.S. Bach | Thierry Caens | 7 |
| 232 | PLEASANT MOMENTS
|
|
Scott Joplin | Thierry Caens | 8 |
| 233 | MENUET DU BOEUF
|
|
J . Haydn | Thierry Caens | 4 |
| 234 | QUIN SIGNIFICAT TÉ LA MÚSICA? (Aud.
|
|
Varis (L. Berstein) | Varis (F. Ferrando) | 1 |
| 235 | TOREADOR SONG
|
|
Georges Bizet | Walter Barnes | 7 |
| 236 | FANFARE
|
|
Paul Dukas | Wayne Barrington | 11 |
| 237 | Tango
|
|
Isaac Albéniz | Wilfred Roberts | 2 |
| 238 | MARXA NUPCIAL
|
|
R. Wagner | Ximo Tur | 5 |
| 239 | BENY HILL
|
|
Ximo Tur M. | 3 | |